Monday, September 19, 2016
This week, I decided to focus on the close-up. I
find it a very interesting camera angle because its purpose, oftentimes, is to
emphasize emotion. Most films have close ups of a character displaying a strong
emotion whether it be joy, anger, sadness, etc. The first movie that came to
mind with a great series of close-ups is The Graduate. The close ups take place
during the final scene when Dustin Hoffman’s character comes to break up the
wedding of the girl he’s in love with; the bride looks over to her parents and
fiancé, and the viewers get a close shot of each of them displaying anger and
frustration complete with furrowed brows and teeth clenching. Because this is
truly an extreme close up, the viewers become forced to experience the feelings
of these three characters, the agonizing frustration of these characters is
seen, quite humorously, by this crazy eyed, lip quivering, forehead-vein-popping
facial expressions. It’s my favorite part of the film!
I was fascinated
by the diverse camera angles used in The 400 Blows. I loved that the credits
were held by a somewhat "shaky camera" that kept the Eiffel Tower in the camera
shot at all times as it spanned through the streets. The shakiness made it feel as though you were really there, walking the streets of Paris. I also like the
intimate feel of the camera inside the cramped household; the metaphor for how cramped Antione was emotionally was wonderfully presented through this physical smallness of their home. The street level camera shots that occupy most of the film made me
feel like I was there right alongside Antione and Rene. By being on their level and following them through their many adventures made them more
relatable. What struck me was the arial
shot when the teacher is taking the students out on the streets and the viewers
can spot students straying from the line, one after the other.
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